We’ve all been purely saturated
with information these past few days, however, a few themes keep popping up across
sessions and conversations, much of which, I find relevant to Paterson Music
Project and I imagine would be pertinent to any program.
Identity, Vision, and Values
The first is having a
well-thought out, clear, and defined vision for your program. In a
session called, “Building an Inclusive Program”, Big Noise Director of Music,
Francis Cummings, discussed the importance of having clear identity, vision and
values. Big Noise in Scotland spent six
months planning, talking, and soul searching before teaching a single
student. They use their clear vision
(creating social change, community transformation, and creating an orchestra)
as the foundation for all the work, projects, and expansion they do. They spent time to answer questions about
what they were seeking to do and what was important to them. Without these questions having been
completely hashed out, there is nothing concrete guiding your work.
Inspired Teaching Artists
That well defined identity,
vision, and set of values needs to be shared with the teachers! Teachers
absolutely need to be on board! They are
the ones carrying out this vision and actually doing the work with the
children! If we are not completely sure of what we’re doing and why we’re doing
it, working in an El Sistema program can turn into a drag. I think that teachers need to be
inspired! Teachers need to talk to other
teachers and see other programs. We need
to know what other incredible things are going on around the world and how
limitless our possibilities are. Today I
saw a video of at least 500 children on stage of all levels (and I mean ALL
levels) playing Beethoven 9 with choir and orchestra side by side with
professional musicians in Sweden. My jaw
was on the floor. I had never seen so many people on one stage of such diverse
ages and abilities making such powerful and moving music. I had no idea that that was possible! I’m already planning now for how our students
at PMP are going to do that very same thing with 500 people in a few years.J Teachers need to be
on board not only with the vision, but also with the approach and delivery of
that vision. This permeates into the
curriculum and daily interactions with students.
Actively Engage Parents and
Communities
Abreu says that 50% of El
Sistema is the families. Well, if that’s
the case, we have a lot of work to do! In our program we engage our community,
but in a very passive way. We are always thinking of ways to engage the students
more, but their family support is just as important to their success. In
Scotland, Big Noise used their six months of prep time to engage their
community by playing concerts, holding meetings and knocking on doors! They
made a point of making sure there was a strong connection between Big Noise and
their community before they even began. For every new site they have opened so
far, they have repeated the process because it has been so instrumental in
building support and trust for the program. Big Noise also reaches out to the
community by sending their musicians to students’ homes where students and
their teachers can play together and perform for their families, something they
call “Take a Musician Home for Tea”. In Sweden, their program was also started
with meetings – that no one attended. They persisted in having meetings every
week despite the lack of participation until they had 2, then 3, then 15, then
200 people attending these meetings! They now hold a weekly “Vänsday” – a social gathering of the
students and families where they sing songs, eat good food, play games, have
guest artists perform and much more! I was most impressed by Big Noise’s adult
orchestra called “The Noise”. This orchestra consists of adults from the
community, but mostly the parents and grandparents of the students that are
already in Big Noise. These participants get to play in a full orchestra with
their own set of repertoire and concerts. It was unbelievable fun and exciting
to watch this adult orchestra rehearse! You could just see how much more
invested these adults are in Big Noise because they understand the hard work
and joy that goes into music making. We need to make sure our families have
this understanding as well and feel like a part of our program – whether it’s
by creating more opportunities for the community to participate in musical
activities or just making sure that the voices of our families are heard.
It’s easy to be overwhelmed by the amount of
work it takes to create a successful program, however, we have the advantage of
sharing our experiences and learning from each other. As noted by Malin Aghed, Director of El Sistema Sweden, it’s easy to hear an
inspirational story recapped in 5 minutes and only see immediate success. “Wow,
look at that program, they tried implementing a parent orchestra and suddenly
all the parents were on board and it’s great!”…The reality is that each success
story and inspirational story comes with painstaking work and slow
transformation. Each aspect of our
program will grow and develop with each day of focused and intentional work.
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